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Ravel - Daphnis et Chloé

Composer Maurice Ravel
Performer Netherlands Radio Choir
Rotterdam Philharmonic Orchestra
Yannick Nézet-Séguin, conductor
Catalogue Number BIS-1850 SACD
EAN 7318599918501
Format SACD Hybrid

This hybrid disc plays on both CD and SACD players
SACD Surround - SACD Stereo - CD Stereo

Release date Feb 2015
Total time 63'27

Orchestral Choice, BBC Music Magazine
10/10, Classics Today France
Disco excepcional, Scherzo

“In these performances…, Yannick Nezet-Seguin is scrupulous to an unusual degree in obeying the composer’s markings… The playing throughout is of the highest class…” BBC Music Magazine


When Maurice Ravel in 1909 was commissioned by the ballet impresario Serge Diaghilev to write a score based on the ancient Greek novel Daphnis and Chloe, he decided to compose 'a huge musical fresco, concerned less with archaism than with faithfulness to the Greece of my dreams'. Three years later, when Daphnis et Chloé was first performed by the Ballets Russes, it had indeed grown into Ravel’s longest work, playing for about an hour and requiring a large orchestra with an extended percussion section, not to mention a choir. The first production was fraught with difficulties and the première in Paris was less than successful. It was only the following year, in London, that the composer received proper recognition for his music, which Stravinsky later described as 'not only Ravel’s best work, but one of the most beautiful products of all French music'. Ravel himself labelled it a ‘choreographic symphony’, and although he did extract two suites from it, the complete ballet score has also entered the concert repertoire. It is here performed by the Rotterdam Philharmonic Orchestra and Yannick Nézet-Séguin, a team with the best possible credentials for realizing the full spectrum of this sumptuous music – from the idyllic evocation of dawn in Lever du jour to the orgiastic Danse générale which closes the work. If Daphnis et Chloé is one of Ravel’s most highly regarded works, his Pavane pour une infante défunte is one of the most popular. The brief piano piece from 1899 was orchestrated by the composer in 1910, while he was working on Daphnis. Its profound melancholy has caught the imagination of listeners ever since, in combination with the poetic title – which was only chosen because of its agreeable sound, however: Ravel never had a particular dead princess in mind, and finding many interpretations too sluggish, famously remarked that the piece was not, after all, ‘a dead pavane for an infanta’.
 
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  Maurice Ravel
  Daphnis et Chloé (complete ballet) (1909–12) 56'34
01 1. Introduction. Lent – Très modéré 3'03
02 2. Danse religieuse. Modéré 5'28
03 3. Danse des jeunes filles. Vif 2'42
04 4. Danse grotesque de Dorcon. Vif – Plus modéré – Trés modéré – Pesant 2'48
05 5. Danse légère et gracieuse de Daphnis. Assez lent – Animé – Vif 3'57
06 6. Lyceion entre. Lent – moins lent – Très libre 4'04
07 7. Nocturne 5'08
08 8. Interlude 2'33
09 9. Danse guerrière 4'33
10 10. Danse suppliante de Chloé 6'06
11 11. Lever du jour 5'37
12 12. Pantomime 6'07
13 13. Danse générale 4'28
 
14 Pavane pour une infante défunte (1899, orch. 1910) 5'58
  Album total 63'27
ComposerRavel, Maurice
ConductorNézet-Séguin, Yannick
OrchestraRotterdam Philharmonic Orchestra
ChoirNetherlands Radio Choir

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