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Camilla Tilling - Gluck and Mozart Arias

Composer Christoph Willibald Gluck
Wolfgang Amadeus Mozart
Performer Camilla Tilling
Musica Saeculorum
Philipp von Steinaecker, conductor
Period Classical
Catalogue Number BIS-2234 SACD
EAN 7318599922348
Format SACD Hybrid

This hybrid disc plays on both CD and SACD players
SACD Surround - SACD Stereo - CD Stereo

Release date Jan 2017
Total time 65'51


Love plays a significant part in most operas, but all too often it is frustrated, or entangled with deception, humiliation and betrayal. With her new disc Camilla Tilling presents a near-comprehensive catalogue of the emotions that the vagaries of love can raise in the breast of an operatic heroine. And these emotions are universal and timeless, afflicting servants and countesses, Grecian princesses, a sorceress from Damascus and a young lady of 18th-century Naples alike.
Gluck’s Armide glories in having Renaud in her power – until she realizes that her feelings makes it impossible to destroy him as she had planned. Newly raised from the dead, his Euridice is defenceless against the strong emotions of the living, and beset by doubts when Orpheus refuses to acknowledge her on their way back to earth. In the bravura aria Come scoglio, Mozart’s Fiordiligi proclaims her steadfast love for Guglielmo, but in the following act of the opera she regretfully admits to having been enamoured by another. And from The Marriage of Figaro we hear Susanna inviting the loved one to a nocturnal rendez-vous (‘Deh vieni, non tardar’) as well as her mistress, the Countess, wondering in ‘Dove sono’ what happened to the loving marriage she once had.
With a soprano typically described as ‘radiant’, ‘vernal’ or ‘silvery’, Camilla Tilling has performed several of the roles featured here at venues such as Opéra National de Paris, Covent Garden, Salzburg Mozarteum and Drottningholm Slottsteater. On this recording she partnered by Philipp von Steinaecker and his Musica Saeculorum, whose period instruments bring out all the sweetness, pain and regret that Gluck and Mozart magically worked into their scores.
 
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  Wolfgang Amadeus Mozart
  Idomeneo, re di Creta 18'58
01 Overture 4'42
02 Rec. Quando avran fine omai (Act I) 3'52
03 Aria. Padre, germani, addio (Act I) 3'57
04 Rec. Solitudini amiche (Act III) 0'59
05 Aria. Zefiretti lusinghieri (Act III) 5'28
 
 
  Christoph Willibald Gluck
  Orfeo ed Euridice 5'23
06 Rec. Qual vita (Act III) 2'06
07 Aria. Che fiero momento (Act III) 3'17
 
 
  Wolfgang Amadeus Mozart
  Le Nozze di Figaro 10'37
08 Rec. Giunse alfin (Act IV) 1'13
09 Aria. Deh vieni, non tardar ( Act IV) 3'17
 
 
  Wolfgang Amadeus Mozart
  Così fan tutte 15'06
10 Rec. Temerari, sortite (Act I) 1'16
11 Aria. Come scoglio (Act I) 4'38
 
 
  Christoph Willibald Gluck
  Armide 10'55
12 Rec. Enfin, il est en ma puissance (Act II) 2'52
13 Aria. Quel trouble me saisit (Act II) 4'09
14 Aria. Ah! Si la liberté (Act III) 3'54
 
 
  Wolfgang Amadeus Mozart
  Così fan tutte 15'06
15 Rec. Ei parte (Act II) 1'29
16 Aria. Per pietà, ben mio, perdona (Act II) 7'43
 
 
  Wolfgang Amadeus Mozart
  Le Nozze di Figaro 10'37
17 Rec. E Susanna non vien (Act III) 1'31
18 Aria. Dove sono (Act III) 4'36
 
 
  Christoph Willibald Gluck
  Iphigenie en Tauride
19 Aria. O malheureuse Iphigénie (Act II) 4'47
 
  Album total 65'51
ComposerGluck, Christoph Willibald
Mozart, Wolfgang Amadeus
ConductorSteinaecker, Philipp von
OrchestraMusica Saeculorum
SopranoTilling, Camilla

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