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Mendelssohn - A Midsummer Night’s Dream

Composer Felix Mendelssohn (-Bartholdy)
Performer Magdalena Risberg
The Swedish Radio Choir (Radiokören)
Camilla Tilling
Swedish Chamber Orchestra
Thomas Dausgaard, conductor
Period Romantic
Catalogue Number BIS-2166 SACD
EAN 7318599921662
Format SACD Hybrid

This hybrid disc plays on both CD and SACD players
SACD Surround - SACD Stereo - CD Stereo

Release date Oct 2015
Total time 69'06

Following a series of acclaimed recordings of 19th-century music including complete cycles of the symphonies by Schubert and Schumann, Thomas Dausgaard and his Swedish Chamber Orchestra turn to Felix Mendelssohn. The team’s latest offering unites three of the composer's four celebrated concert overtures, written between 1826 and 1835 and setting new standards for this emerging genre: Mendelssohn’s overtures are also tone poems, combining a Classical conception with Romantic expressivity. The earliest of the three – A Midsummer Night’s Dream – Mendelssohn composed at the age of seventeen, and his sister Fanny later remarked how Shakespeare's play had been a constant presence at their home, and ‘how at various ages we had read all the different roles, from Peaseblossom to Hermia and Helena…’ The overture immediately became one of Mendelssohn’s signature pieces, and seventeen years later he returned to it, composing additional incidental music for a stage production of the play. Written for soloists, women's choir and orchestra, the complete Midsummer Night score is included here. The disc opens with the last of the four overtures to be composed, however: The Fair Melusine, which Mendelssohn wrote after having heard an opera based on the old French tale of the water spirit Mélusine and her sad fate. Actively disliking the opera, Mendelssohn was provoked into his own musical setting of the subject matter in the form of a concert overture. Water – and its depiction in music – also plays an important role in The Hebrides, the closing work on the present recording. Inspired by the poems by Ossian – which captured the imagination of an entire generation at the beginning of the Romantic era – Mendelssohn visited Scotland and the Hebrides in 1829, and already during this trip he sent a postcard to his family, with the overture's famous opening written down in a four-part setting.
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  Felix Mendelssohn (-Bartholdy)
01 Das Märchen von der schönen Melusine, Concert Overture No. 4, Op. 32, MWV P 12 (1833, rev. 1835) 9'47
  Ein Sommernachtstraum (A Midsummer Night’s Dream), Op. 61, MWV M 13 48'55
02 Ouverture. Allegro di molto 10'38
03 1. Scherzo. Allegro vivace 4'31
04 2. L’istesso tempo – [Elfenreigen]. Allegro vivace 1'59
05 3. Lied mit Chor. Allegro ma non troppo 4'14
06 4. Andante [Oberon tritt auf] 0'48
07 5. [Intermezzo] Allegro appassionato – Allegro molto comodo 3'26
08 6. Allegro – Allegro molto – Andante – Allegro molto come I 4'06
09 7. [Notturno] Andante tranquillo 5'15
10 8. Andante – Allegro molto – Andante tranquillo – Allegro molto 1'43
11 9. Hochzeitsmarsch. Allegro vivace 4'42
12 10. Allegro comodo – Marcia funebre. Andante comodo 1'32
13 11. Ein Tanz von Rüpeln. Allegro di molto 1'26
14 12. Allegro vivace come I 0'46
15 Finale. Allegro di molto 3'49
16 Die Hebriden, Concert Overture No. 2, Op. 26, MWV P 7 (1830, rev. 1832) 8'51
  Album total 69'06
ComposerMendelssohn (-Bartholdy), Felix
ConductorDausgaard, Thomas
OrchestraSwedish Chamber Orchestra
ChoirSwedish Radio Choir (Radiokören)
SopranoRisberg, Magdalena
Tilling, Camilla

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