Nominated to a Grammy in 2014; iTunes Best of 2013
“10/10: Recommended with the assurance that you will listen to this disc often.” ClassicsToday.com; “Not just technically superb but beautifully paced and expressive.” American Record Guide; ”New York Polyphony’s four members capture the ecclesiastical and musical impact ...” Gramophone; ”Die Formation kultiviert dank sehr eigenständiger Stimmen einen unverkennbaren Ensembleklang und macht auch mit dieser Platte Lust auf mehr.” klassik.com; ”The singing of New York Polyphony is immaculate.” MusicWeb International; “Technically flawless and musically compelling.” Early Music Review
Taking its title from a poem by the sixteenth-century Jesuit martyr Robert Southwell, Times go by Turns comprises three masses composed during a period when the conditions for English Catholics – and Catholic composers – underwent radical change. &&&Active at a time – the 15th century – when the Catholic Church flourished in England, John Plummer’s death roughly coincided with the ascension of the Tudors, a dynasty that would irreversibly alter religious traditions.
As a consequence, the bulk of Plummer’s music was destroyed during the Reformation, the remainder surviving almost exclusively in sources from the continent. Born a century later than Plummer, Tallis witnessed the separation of England from the Catholic Church and his Mass for Four Voices displays a simple lyricism and economic use of polyphony which may well have been driven by liturgical necessity.
Such constraints had grown even stronger by the end of the century, when his student and colleague William Byrd composed his own four-part Mass, intended for clandestine worship at a time when dissidents were dealt with by cruel means.
While dedicated to the works of the great age of polyphony, New York Polyphony is also noted for its performances of contemporary music. For this disc the ensemble has commissioned two modern works, with Andrew Smith contributing a Kyrie – the movement which Tallis’ mass leaves out – and Gabriel Jackson providing the closing Ite missa est (‘The mass is ended’). The programme also includes one of the last compositions by Richard Rodney Bennett (1936–2012). A Colloquy with God, the setting of a poem by Sir Thomas Browne for four male voices, was dedicated to New York Polyphony.